Mu'nim Khan and Khan Zaman
ca. 1586 - ca. 1589 (made)
Height: 32.8 cm, Width: 19 cm
Painting, Akbarnama,interview between Mu'nim Khan and Khan Zaman in a Boat on the Ganges, outline by Kesu the Elder, painting Banwali the Younger, opaque watercolour and gold on paper, Mughal, ca. 1586-1589
Painting, in opaque watercolour and gold on paper, an interview between Munim Khan (Governor of Kabul) and 'Ali Quli Khan (Khan Khanan i.e. Akbar's Prime Mininster) in a boat on the Ganges.
This illustration to the Akbarnama (Book of Akbar) shows an interview that took place in a boat on the River Ganges in north-east India in December 1565 between Mu’nim Khan, Governor of Kabul, and Khan Zaman, who was prime minister to the Mughal emperor Akbar (r.1556–1605). The composition was designed by the Mughal court artist Kesav the Elder, and the painting was done by Banwali the Younger. The Akbarnama was commissioned by Akbar as the official chronicle of his reign. It was written in Persian by his court historian and biographer, Abu’l Fazl, between 1590 and 1596, and the V&A’s partial copy of the manuscript is thought to have been illustrated between about 1592 and 1595. This is thought to be the earliest illustrated version of the text, and drew upon the expertise of some of the best royal artists of the time. Many of these are listed by Abu’l Fazl in the third volume of the text, the A’in-i Akbari, and some of these names appear in the V&A illustrations, written in red ink beneath the pictures, showing that this was a royal copy made for Akbar himself. After his death, the manuscript remained in the library of his son Jahangir, from whom it was inherited by Shah Jahan. The V&A purchased the manuscript in 1896 from Frances Clarke, the widow of Major General John Clarke, who bought it in India while serving as Commissioner of Oudh between 1858 and 1862.
The Akbarnama was commissioned by the emperor Akbar as the official chronicle of his reign. It was written by his court historian and biographer Abu'l Fazl between 1590 and 1596 and is thought to have been illustrated between c. 1592 and 1594 by at least forty-nine different artists from Akbar's studio. After Akbar's death in 1605, the manuscript remained in the library of his son, Jahangir (r. 1605-1627) and later Shah Jahan (r. 1628-1658). The Museum purchased it in 1896 from the widow of Major General Clarke, an official who had been the Commissioner in Oudh province between 1858 and 1862. Historical significance: It is thought to be the first illustrated copy of the Akbarnama. It drew upon the expertise of some of the best royal painters of the time, many of whom receive special mention by Abu'l Fazl in the A'in-i-Akbari. The inscriptions in red ink on the bottom of the paintings name the artists.
Location: In Storage